Where are they now? - Steve Howe
This page last updated: 1 Dec 2024
On this page: Solo projects - Album with Virgil - Steve Howe Trio - Guest appearances
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Howe said in a Jul
2024 interview, "I have projects lined up that I'm not going
to say any more about right now, but I'll be talking a lot about
in future". In an Oct
2020 interview, Howe said, "I tend to write in batches. I
upgraded my studio at the end of [2019] and delighted in it, and I
realized as I released my book All My Yesterdays [see below]
that I'd accumulated a lot of ideas but hadn't really developed
[them] at all. Last year [2019], about October or November, I was
recording — it's all just sort of floating. [...] I've never been
short of projects I can do. I can rally around those and dabble
with things and see what holds my attention the longest." In a Dec 2020
interview, he talked of an "outpouring of musical ideas"
after he finished working on the book.
On 7 May 2020, he posted on Facebook about "Recording my koto on
a new song!" In another Jul
2020 interview, Howe talked about having "just finished
mixing" a song called "Penance", a vocal version of "Pennants"
from The Steve Howe Album, having recorded it "quite
recently". He continued: "wait for further information on its
release".
Yes
Howe remains in Yes—see
details on main news page.
Solo
Howe said in an Aug 2024
interview that he is planning to do a solo tour in 2025. In
a Sep 2024
interview (conducted around Jul), he said he wants "some
part of next year" (2025) to be on solo performance.
Howe's latest solo album is Guitarscape (HoweSound),
released 27 Sep 2024 on CD, vinyl and digital (including Dolby
Atmos). It is a 14-track instrumental album, written and produced
by Howe. Howe plays acoustic, electric and steel guitars (with a
focus on the ES Artist electric guitar), bass and keys, with his
son Dylan
Howe (worked with Yes, Jazz
Sabbath) on drums. Dylan recorded his drums parts
remotely. The album was assembled and mixed by Curtis Schwartz (worked with Yes). Tracks:
Howe said:
This album has given me the opportunity to do something different [...] I bought a Novatron Summit keyboard and found that it had a wealth of inspiring sounds. It gave me a golden opportunity to create my own keyboard structures – chordal movements and structures that I thought were a bit different. I think differently on a keyboard, I don’t see the chords looking the same but then I had fun playing around with the guitar to see where that goes.
I’ve utilised most of the colours, as I like to I think of my styles [...] it moves from a steel, maybe, to a Spanish guitar. Because it’s a different sort of album, I’m not using terribly conventional chord sequences but things that give me a fresh feeling and opportunities to improvise and stretch out as well as be melodic and make this a nice tuneful experience.
I began feeding the tracks to Dylan. We get on great and he seems to know what to play around my guitar, it’s almost instinctive. Dylan and I fit together really beautifully.
It was at #28 in the UK progressive albums chart, Nov 2024.
In a Jul
2024 interview, Howe described how he went about making the
album: "I just find my way. [...] I mean, it appears I have a
plan, but, in a way, what I'm really doing is exercising instincts
and sort of guesses, really. Wild guesses. And that's how I got
the backing tracks for the album was really by improvising on a
keyboard and then having lots of these tracks [...] that all had a
different tempo, they had a different keyboard texture and I was
then beset with the task to kind of fathom out what were the best
colours to add to that [...] was it an electric moment[?] [...]
some of them were acoustic". He also said the album "[i]s quite
different from I'd say all of my work, particularly Yes [...]
although it has all the shades, I hope, of my Yes stylings". He
said "Secret Mission" was one of the last tracks to be recorded.
In an Aug
2024 interview, Howe explained, "I got this keyboard, so I
heard something kind of special in this. So I ended up doing about
a dozen tracks with different sounds from the keyboard, at
different tempos on the drum machine, just to kind of find out
what I could lay down. And that's how the album kind of started,
from a very different perspective than usual when I'm assembling
parts of tunes I like. I like those chords here. I like that riff
over here. But this kind of, like, had a more organic process".
The album was made over a period: "I went on tour and came back to
it and, you know, worked on Mirror to the Sky and then
came back. So I use that same reviewing technique that I do, which
is leaving things, reviewing them, coming back to them. When you
put them back on, you know really what you're going to do." The
album has some focus on Gibson guitars: "I was looking to keep the
tonal choices a little bit confined. So I had different guitars. I
didn't then need too many different kinds of electric guitars". In the Sep 2024
interview, Howe explained that the "Spring..." tracks were
the exception to this pattern of starting with the Novatron.
He also described the album, "It isn't jazz, but it's free form
music".
In an Apr
2023 interview, Howe had mentioned, "I can play some keys,
as I do in some forthcoming projects", which would appear to have
been a reference to this album in part.
Motif Volume 2 (HoweSound) was
released as a CD and a limited edition (500 copies) gatefold
black vinyl LP (HSLP009) on 24 Oct 2023 through Cargo
Records. A general release followed 24 Nov 2023. There are
also digital and Dolby Atmos formats. As with Volume 1,
this is a solo guitar album mixing new compositions with new
recordings of older pieces. Tracks:
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Howe previously released Motif
Volume 1 in the same format. Howe explained that the
album:
He has been working on a second volume for a while. Volume 2
was due "perhaps this year [2009]" according to a May
2009 Billboard article, and "soon" according to a Jul
2009 article. In an update on his
website in Mar 2010, Howe describes Volume 2 as being "in the
planning stage" and that he will tour in support of it in due
course. In an Oct
2011 interview, he talked of working on Volume 2 and
says "maybe next year [2012]" for when it will appear. In another
Oct 2011
interview, Howe said:
I am writing new material, I am
going to follow up 'Motif, Volume 1' with, surprisingly, wait
for it, 'Motif, Volume 2'. I've got new material, I'm going to
record it in the studio, as opposed to how I've done it before.
I enjoy that side of my life, probably more than Yes or Asia, I
don't want to make that seem unappreciative, but the older I've
got the more I've dug in to that solo side. That's why 'Motif,
Volume 1' was a very important release for me, because it pulled
together that side of my life that had been spread over Yes,
Asia, solo records, Trio records
In the 2021 TotalRock interview, asked about his future plans,
Howe said, "My next [solo] project will be something different [to
Love Is]." He went on, "I've got a nice concept for it,
that's different again." And said, "I refuse to be typecast as a
rock guitarist or [in any other style]." Later in the interview,
he talked of how, "The guitar family is what I'm interested in
playing", and then how, "My next solo album [will be] a bit of
surprise." That description does not seem to fit Motif Volume
2, so he may have been talking about something else.
Homebrew 7 (HoweSound, distributed
by Cargo Records; duration 49:41) was released 30 Jul 2021,
marking the 25th anniversary of the release of the original Homebrew.
The album is written, arranged, engineered and produced by Howe,
and the album was compiled with Curtis Schwartz (worked
with Yes) and mastered by Simon Heyworth. Previous Homebrew
releases have consisted of his early versions of tracks previously
released elsewhere. In a change, Homebrew 7 consists of
tracks never released in any form before (with one exception), and
where there are no plans to re-record them in the future, although
some tracks had been offered to Asia or other acts down the years.
4 tracks have vocals by Howe ("Half Way", "Outstanding Deal",
"Devon Girl", "From Another Day"). Sons Dylan (worked with Yes) and Virgil Howe are credited
with additional drums. Liner notes are by Steve Howe, including
some of his photography. This was the first release on Howe's
re-started label HoweSound, working with a new distributor Cargo
Records.
[a solo album] in progress, and it’s gonna be quite exciting. I’m looking forward to announcing it. But other than that I’m not saying much about it until it’s finished. Watch this space.In a Jul 2018 interview, Howe talked about how he used to make solo albums "which I call my jamboree approach. I try to show everything I do". However, starting with Turbulence, he described how he has moved to making albums "that have one particular idea that I can then move around in." He goes back to the first approach and continues:
they’re really like jamboree. I mean, I’m playing jazz here and weird, psychedelic stuff here and a band here and then I’m singing and then I’m not singing. I kind of like those, but I think I should be more in the Turbulence mindset, where I pick a style and put all of my music around that. I’ve actually got a new album coming that, strangely enough — well, it is not finished yet so I can’t tell you the title, even though I do have it — it is actually a mixture of instrumental and songs, but not quite in the same way.In the Mar 2017 Q&A, asked about the possibility of touring the US, Steve said:
When I do [a solo tour] in other countries [i.e., not the UK] it takes a lot more organising and you’ve gotta get the CWA and IRS involved [...] But I would say that I’ve missed not doing either really. The solo tours I’ve done in America, the last one I think was way back in 2010, maybe 2008. So I’ve missed doing that in America. [...] doing a full band tour would be wonderful too. And like I say, I think I’ve got a vehicle for the future that will make that work. So, hold your breath on that one.
Asked about a next solo album in a Mar
2015 interview, Howe replied:
I’ve always got a backlog of music [...] I create a sort of nest egg [...] of music and song that I can back to. And they’re most probably going to be on another solo album, because once I start to become secretive or very introverted about them – because they really are personal, certainly if there are lyrics [...] – then I’ll tweak ‘em an awful lot, I’ll go back loads of times, and think, “Well, you know, I just want this to be something else. How’s this going to live up to my new expectations?”
So certainly there is a work in progress, but I’m not terribly clear which way it’ll go. But as you prepare, eventually you start to spot that you’ve got tracks that really are going in a startlingly different direction, and I think that’s what I’m waiting for. I’m not going to make another Turbulence. [Laughs.] Even though it’s a nice album!
[...] So the style of the music, I haven’t put my big toe in so deep yet. It might be that I’m waiting to see enough material in another style [...] and just say, “Well, when I feel it’s there, then that’s the album I’m going to do,” and I’ll start really building that album. [...] I’m not really pushed to do anything.
An Apr
2020 interview described Howe as planning solo shows for
autumn 2020. The COVID-19 pandemic seems to have stopped that.
Howe has been working further with Paul Sutin. In a Jan 2012 interview, Howe they have some "new tracks we haven't released yet", "kind of a mix up of some things we've done where we've re-arranged them, re-played them, they're almost like different tunes because they have such a different feel", plus some new tracks which are "almost Europop influenced". He goes on to describe how they've worked together: "What I like to do [...] if you've got a sort of semi Euro dance track, I don't play like semi Euro dance track guitar. [...] I play [...] different sorts of things [...] It came alive because of the contrast."
In one of the aforementioned Jul 2020 interviews, Howe is asked about revisiting his solo back catalogue with 5.1 surround mixes. Howe replied: "It's been on my mind a great deal, and I want to start with Beginnings and Steve Howe [Album] as the very first ones. It'll be a while, but that is something that's in the process. I've been accumulating tapes and I've been [...] getting advice as how to do that, and who to do it with. It would be marvelous if I got the chance to do more things in 5.1."
The Steve Howe
Trio |
New Frontier (Esoteric Antenna (Cherry Red)) was released in 2019. In the May 2023 interview, Howe said, "There's an alternative mix of the whole album" and also seemed to imply the possibility of releasing some live recordings. There was also earlier talk of a live release. A Mar 2016 interview with Steve opened: "[Howe ha]s spent a bit of time lately sifting through various concert tapes of the Steve Howe Trio [...] for a future live release. [...] "We're going to hone down to a final mix and then we'll look at how we should release it."" The band had last toured in Sep 2013, with 11 UK dates. The London set list was typical: set 1—"Mood for a Day", "My Buzzard Friend" (new piece), "The Ancient" (excerpt), "The Haunted Melody", "Tune Up", "Heart of the Sunrise"; set 2—"Dream River", "Devil of a Chance" (new piece), "Siberian Khatru", "Conversation" (originally by Joni Mitchell), "He Ain't Heavy, He's My Brother", "Blue Bash", "Close to the Edge" (new arrangement compared to Travelling), encore: electric guitar solo piece by Steve, "Kenny's Sound". The Portsmouth set list was shorter: set 1—"Mood for a Day", "My Buzzard Friend", "The Ancient" (excerpt), "The Haunted Melody", "Tune Up", "Heart of the Sunrise"; set 2—"Dream River", new piece (probably "Devil of a Chance"), "Siberian Khatru", "He Ain't Heavy, He's My Brother", "Blue Bash", "Close to the Edge", encore: "Kenny's Sound".
Guest appearances &
collaboration
Howe has professed to being a fan of Alison Krauss & Union
Station, particularly their dobro player Jerry Douglas
(worked with Ray Charles, Phish, Paul Simon, Elvis Costello).
In an Apr
2011 article, he said they have discussed collaborating:
"I asked them if they would work with me and they said yes," Steve says. "It has taken some time, but I have not stopped writing tunes [for the project]. I have a country side that I want to explore. I will do country records.
Asked about the collaboration in the Feb
2013 interview, Howe said:
I’ve got immense respect for Alison and the band. I just love them to bits. Things were mooted and there were was a little opportunity to try something. In the time that these things were talked about and mentioned, shifting sands changed here and there. So I never count on things like that. [...] My determination is to do some recordings that reveal some more of my connection with country and bluegrass through people like Chet Atkins [...] also Mel Travis and Tony Rice, Stevie West, Jimmy Bryant, I could go on and on. I’ve written 30 solo pieces, half of which are in the country styleOut 29 Nov 2024, Mark Wirtz' 5CD Dream Dream Dream: The Anthology (Cherry Red, CR5JAMBOX030) includes various tracks with Howe, including (but possibly not limited to) Caroline Munro's "Tar and Cement" and "This Sporting Life", Tomorrow's "The Incredible Journey of Timothy Chase (mono mix)", "Strawberry Fields Forever (mono mix)", "My White Bicycle (mono mix)" and "Revolution (mono mix)", and Keith West's "On a Saturday" and "Sam" (in mono). The set includes some previously unreleased material, but I don't know if there is any previously unreleased material with Howe.
GTR
I’ve been thinking about it since the first collection is now out of print [...] I’ve had some ideas about something more like a Steve Howe catalog of great guitars that I did keep, because since then I’ve traded, given, and sold instruments; a few a year, so that my collection would get smaller. [...] it’s more about things that, over the last thirty or forty years, I still value, as oppos ed to when the book was done, I was having a great time; buying shed-loads of guitars, and that doesn’t interest me now. [...] I have done some preparation, it’s just a matter of when and if I put it into action.
NVP (Nicolet Vidéo
Productions) described on
their website filming in Oct 2008 a 3D film and an
accompanying one-hour, 2D film about Howe, but Howe says in the
autobiography that the footage was lost. In a Jan 2009 interview for Notes from the
Edge, Howe talked about "a lot of my films that I've
been preparing for many years that will eventually come out on a
DVD" (including performances of "Corkscrew"), which may have been
related to this project or be something else. Howe has previously
talked about a documentary of his career, concentrating on his
solo work from 1975-1994. In his autobiography (finished 2019), he
again talked about hoping to do a DVD compilation, mentioning a
performance by The Syndicats on the BBC's The Beat Room
and his 3-track promo video for his debut solo album, Beginnings.
Any news, additions or corrections, please e-mail Henry Potts. Thanks.