Where are they now? - former Yes members
This page last updated: 12 Jun 2025
Bruford had retired from performance, but is now touring again
with the Pete Roth Trio. However, he started playing again in
2022. He explained in an Oct
2024 interview:
I’ve only just returned to music after complete burnout in 2009. For 13 years, I couldn’t stand the sight of a drumkit. Finding my way back after a long time in academia, was explosive, unexpected, and very sudden. I remember passing someone else’s kit one day, sitting down, and feeling exhilarated all over: urgently and violently keen to start all over again. I’d sold all my own drums, years earlier, so I had to go and find a new set and start a daily two-hour daily practice routine.
In 2022 I formed a rehearsal band with Guildford guitarist Pete Roth. Pete had worked as my drum tech in Earthworks 20 years previously. I knew he was an accomplished guitarist, but I was astonished how far he’s come [...] One thing led to another through 2023; a few local gigs came along, but only in South-East England. Then a festival or two, and now the Pete Roth Trio has a dozen dates this autumn [2024] [...] It’s a privilege to support and mentor a much younger player, and I get to play whatever I want on the tubs. We prefer smaller places where we can see the whites of your eyes, hear your breathing in the quiet bits and have a musical relationship with you, of the sort that [is] not possible in the big places.
In a Dec
2024 interview, when interviewer and friend of this page,
Andy Burns said he thought Bruford would never return to live
performance, Bruford replied, "Neither did I!" Bruford continued:
I was off the instrument for 13 odd years. I retired in 2009 and I did some academic work for about 7 or 8 years. And then a lull in the proceedings when my desk was kind of cleared. I have in my office or my studio, I had a drum set. And I'd walked past it every morning [...] and feel nothing about it all [...] And then, one day, I just walked past it and thought, "Aww, this looks great. I'll have a little tinker." Next thing you know, I was just really slammed quite strongly with this fantastically backed up urge, to play. [...] I was burned out [...] mostly through the administration of running a jazz group intercontinentally, which is [...] not a great deal of fun. It's effing hard work. And so I took this time off, and, funnily enough, my batteries just recharged. [...] [It] took me completely by surprise. So I decided to [...] call a guy I knew
That was Roth, who he hadn't seen for 20 years. They started playing together, then added a bassist to create a rehearsal band. In a Mar 2025 interview, Bruford said, "Pete was a student of mine at the Academy of Contemporary Music (ACM) in Guildford in 2002-4. I was looking for a drum tech/road manager for an Earthworks UK tour. [...] 20 years later, and as part of my rehab back into the industry after a long lay-off, I cast around for a local player who had some time to fool around in a rehearsal band with me. Pete's name leapt to mind. [...] Pete recommended Mike [Pratt] on acoustic and electric bass. We started with the acoustic, but pretty soon the music started to catch light, so we moved to the electric." In the Dec 2024 interview, Bruford explained he played on one song at the John Wetton memorial show, and then the trio started doing local shows. In a Feb 2025 interview, Bruford said, "We [Roth and Bruford] rehearsed in a local room around here, just so I could play a bit, find out where I was. We played with him and after a while, we started to get good. Somebody then says, "Well, there is this bass player, why don't we..." You see a bass player in your rehearsal, next thing you know you're playing at the local pub down the road. And pretty soon, one thing leads to another, and you're back doing gigs." In a Feb 2024 interview, Steve Howe had described how Bruford "did stop playing" for many years, but that Bruford had spent "two years re-learning". In the Mar 2025 interview, Bruford said, "the group came into being only slowly; because we weren't trying to form one. We were a rehearsal band playing standards for the fun of it, with a drummer in rehabilitation from years of musical inactivity. He needed to find some drums and then find his feet again. Over time, a group emerged with sufficient material to amuse the audience at our first gig at the Ventnor Arts Centre, Isle of Wight, a little less than two years ago. The band has been my main focus on a daily basis ever since."
The Pete Roth Trio
(showreel)
is Pete Roth (guitar), Mike Pratt (bass) and Bruford (drums). They
are playing live dates regularly and continue to announce
more. They played a Feb 2024 show in Windsor, UK, then
further UK shows (promo
video) with 9 dates in Sep-Dec 2024, including a 15
Oct show as the Pete Roth Quartet with Simon Bates (sax). The
first six all sold out. They had 17 European dates 16 Jan-29 May
2025, mostly in the UK (the 29 Mar 2025 show at Trading Boundaries
began with a Q&A with Bruford), but with 1 in Portugal (3
May), 2 in the Netherlands (8-9 May, with Tilburg selling out) and
1 in France (10 May). The 6 UK dates from
16 Jan through to 10 Mar all sold out. The 3 Apr and 9 May shows
also sold out.
They play 3 nights in Japan, 25-7 Jun, with 2 shows each night. They then play the Love Supreme Jazz Festival
2025 (4 Jul) in the UK, before a further run of dates in the
autumn, with Helsinki,
Finland on 1 Oct, UK dates 16-7 Oct and 4 Italian dates
7-10 Nov. 2026 sees an 18 Jan Bristol, UK date and they are also
playing the Mar 2026
Cruise to the Edge. Tour bookings are handled by
MoonJune Records.
Bruford explained further on a YouTube video
in Oct 2024:
I’m currently a featured performer in The Pete Roth Trio. Pete is an exciting young guitarist beginning to develop a career as a performer. We’re playing his music locally, when and where he wants. He does the logistics and heavy-lifting that comes with any band starting out. He’s taking on an older, more experienced player who’s along for the ride. I have marginal interest in developing my own career (already developed!) but I do want to further my music skills, which have lain fallow for fourteen years. Pete and I have a balance of needs. I’m low maintenance, and free as a bird.
I’ve been asked many times to explain why I want to play a more reflective, interactive music in small intimate rooms to 150 people rather than a less reflective, less interactive music in enormodromes to thousands of people. Music, for me, now, is not so much about being able to play something, it’s more about being able to think up fresh things to play, in conjunction with others, in a small place, in real time. How best to do that, at my age? Performing in the Trio is a good way.
[...] How about, I’m thinking, downgrading from professional musician to amateur? Could I leave behind the disagreeable bits that the professional has to endure and reconnect with the amateur me who did it, back in the 60s, for the sheer love of it, with barely a care in the world?
The Musician’s Union here in the UK has a ‘professional’ musician as one who earns the majority of her income from music activities. An ‘amateur’ is held to be one who earns less than half her income from music activities. This deals only with finance, and speaks not at all about skill level, success and failure (however measured), time taken, or any pleasure achieved or achievable. Amateurs are frequently more ready, willing and able to perform than their professional colleagues.
So out go the front covers of magazines, the tour bus, the elections to Halls of Fame, the (usually unhelpful) record company attention. Out goes the full panoply of late 20th century record industry awards, incentives and bigger bucks. Been there! In comes meaningful, small scale, improvised human interaction, in a wonderful Earthworks- or Pete Roth- sized place called music. In come the small bucks and the love of doing it for the love of it. Bring it on!
In the Prog interview, he said, "I've downgraded myself deliberately and I have opted for a local level. Let's put it like that. Now, that doesn't mean I might not go to Paris, which I am booked to do, and I might go somewhere else, but I'm not going on and on and on, on a tour that goes on forever and a day. I don't have the stamina to do that. It's a mental stamina." In the Mar 2025 interview, Bruford said, "We'll do this as long as it's fun to do, but I confess I do prefer gigs within two hours of my own bed and shower. I think we may have played all those, though."
The band vary their set list from show to show, and use a lot of
improvisation. 1 Nov 2024 set: [SPOILERS—highlight to read]
"Billie's Bounce"
(originally by Charlie Parker), uncertain (possibly something
by Chopin), "If Summer had its Ghosts", "Summertime"
(originally by Gershwin), improvisation on the largo movement
of Dvořák's Symphony No. 9, "Trio of 5" (the
first piece the band have written together), another Charlie Parker
piece, "Full Circle" (by the band), "Fee-Fi-Fo-Fum"
(originally by Wayne Shorter), "Looking Forward to Looking
Back" (by the band, and described by Roth as
their "most ambitious one"), unidentified. Read
my further thoughts on the show here. A 27 Nov show
had the same set list, but with the addition of "Dancing with Grace" (by
Roth, about his daughter) after "Full Circle".
The 29 Mar 2025 set was: "Full Circle", "Trio of Five", improvisation
on the largo movement of Dvořák's Symphony No. 9, "How
Insensitive" (originally by Antônio Carlos Jobim), "If Summer
had Its Ghosts", "Summertime", "Dancing with Grace", "Billie's
Bounce", "Looking Forward to Looking Back", "Mr P. C."
(originally by John Coltrane). The 8 May set was: "Full
Circle", "If Summer had Its Ghosts", "How Insensitive",
"Fee-Fi-Fo-Fum", improvisation on the largo movement of
Dvořák's Symphony No. 9, "Billie's Bounce", interval,
"Summertime", "Donna Lee" (originally by Charlie Parker and
band), "Part of the Charm", "Looking Forward to Looking Back",
"Dancing with Grace", encore: "Mr P. C." The 29 May
set was: "Full Circle", "How
Insensitive", improvisation on the largo movement of Dvořák's
Symphony No. 9, "If Summer had Its Ghosts", "Original Sin"
(originally by Bruford Levin; first performance by the
Trio), "Billie's Bounce", "Dancing with
Grace", "Looking Forward to Looking Back", "Mr P. C."
After the 1 Nov show, Roth said the band is very new and still
working on their future plans, but he said they would be recording
some video content on 4 Nov for promotional purposes, which was
probably this.
At the 27 Nov show, he said, "We keep writing at the moment." In
the Prog interview, Bruford was asked about the choice of
"If Summer had its
Ghosts" and whether the Trio will do more old
Bruford compositions. He replied, "I don't think so. [...] we're
not thinking of any others from my back catalogue. I'm playing
what Pete wants us to play. I think Pete's a very good writer
himself and very good with a melody." Asked in the Feb 2025
interview whether Bruford is interested in forming a new
Earthworks edition, he replied, "This [the Trio] is a more
electric thing. I'd rather stay with what I have right now, but
we'll see what happens. Maybe in a year's time, I turn it into
something else, I don't know. But for now, I'm very happy playing
small places in the U.K."
At the end of 2024, the band uploaded 2 full tracks to YouTube,
recorded live in the studio: their version of the Wayne Shorter
piece "Fee
Fi Fo Fum" and their original composition "Looking
Forward to Looking Back".
Bruford also played at the Aug 2023 John Wetton memorial concert, drumming on "Let's Stick Together" (originally by Roxy Music) with Chris Difford (Squeeze; vocals, guitar), Phil Manzanera (ex-Roxy Music; guitar, backing vocals), Guy Pratt (worked with Pink Floyd, Madonna, The Orb, Pure Reason Revolution; bass) and a saxophonist, keyboardist and backing vocalist from the Paul Green Rock Academy.
Bruford continues to research, write and give talks, and oversees
archival and re-releases. There was a Bill Bruford fan
convention in Tokyo, Japan on 16 Jun 2024, which included a
Q&A with Bruford and performances by 2 UK tribute bands. Then,
on 29 Jun, he was in conversation
with Anil Prasad in New York, NY, followed by ProgJect in
concert with a set including material from Bruford's back
catalogue (Yes, King Crimson, Genesis, UK, Bruford). There was
then a second night with the same format on 30 Jun in
Philadephia. (One of the nights was filmed.) Bruford also
attended the 3rd International MoonJune Festival, Sep 2024 in
Spain. He was in conversation with Sid Smith on 22 Sep, and in a
roundtable discussion about 1972-4 King Crimson with Smith, David
Cross and Markus Reuter on 20 Sep. (The David Cross Band played
the music of King Crimson on 21 Sep, with Bruford in the
audience.)
Compilations, re-releases and archives
Many years back, Phil Manzanera's website
described a possible archival collection entitled Rare
Two including material with Bruford, but news of the
release was withdrawn. In Apr 2003, bassist Bill MacCormick
answered a question about the relevant sessions on the Phil
Manzanera/Roxy Music forum saying:
Some of the early sessions for the Listen Now album [...] involved Bill Bruford + Phil, [Brian] Eno and me (not sure about Eddie [Jobson] though he certainly played on other sessions). These tracks were never used though I believe Phil still has the 24-track masters somewhere. Every now and then we talk about what we might do with them. We haven't come up with an answer yet.Rare Two finally appeared as part of the 11CD 50 Years of Music box set, out Nov 2024, but these tracks with Bruford are not included. In a Jul 2008 blog, Bruford said: "I think Voiceprint is about to release a live Gong album from the short time I was with them, but you'd have to check their website". As yet, there has been no announcement from Voiceprint or successor Gonzo. Bruford played with Gong for a few months in late 1974. An example set from Dec 1974 went: "Invocation", "Master Builder", "A Perfect Mystery", "Never Glid Before", "White Christmas", "Solar Musik Suite", "Flute Salad", "Oily Way", "Inner Temple", "Outer Temple", "Sprinkling of Clouds" |
| Kaye is in CIRCA: with Billy Sherwood. Jay Schellen
(drums) and Jimmy
Haun (guitar) make up the rest of the current band.
They have a new album "nearly complete" according to a Mar
2023 interview with Sherwood by Aymeric Leroy (author of "Yes").
Kaye and Sherwood recorded a song with Scott Walton: see
under Sherwood. Brian Chatton (ex-Warriors, ex-Flaming Youth, ex-Jackson Heights, worked with Jon Anderson) had a number of songs on his MySpace page that were produced by Kaye. Kaye was also helping Chatton with some videos to accompany his autobiography "Rolling with Rock Royalty" (Facebook), now out. Chatton has talked about releasing further songs with Kaye. |
Roslyn, NY, 1 Aug 1972:
1. "Black and White"
2. "There No More"
3. "Monday Morning Eyes"
4. "Small Beginnings"
5. "Children of the Universe"
6. "Lifetime"
CD 2:Hempstead, NY, 18 Jul 1972:CD 3: Indianapolis, IN, 7 Dec 1972: |
Burbank, CA, 9 Oct 1973:It seems to have been put together with Ray Bennett. He said of the release, "What 'Think Like A Key Music' set out to do here [...] is to gather together whatever was left out there of live FLASH stuff regardless of quality and present it in the best possible way. Whatever improvements could be made to the audio were done. Quite a bit of it is rough sounding, but I found that even with the poor sound issues there was something coming across of the live experience. [...] A fair bit of this material was fan-recorded, probably on cassettes, some possibly from rough mixing board recordings; some is much better studio type quality, and some has been online for years on obscure websites, but in the worst possible form – awful sound [...] So all that has been cleaned up and the sound mastered as well as possible. [...] Other than the 'In Public' CD [...] this new set is it as far as we know. Pretty much all that there is of live FLASH performance." The release comes with a 32-page booklet with band interviews, unpublished photographs, and a tour itinerary.
17. "Dead Ahead"
18. "Psychosync"
Miami, FL, 26 Oct 1973:
19. "Children of the Universe"
20. "Black and White"
Cape Cod, MA, 24 Aug 1973:
21. "The Bishop"
22. "Manhattan Morning (Christmas '72)"
Empire
spin-offs
The New
Empire consists of Fernando Perdomo (Dave
Kerzner band, In Continuum;
guitars, bass, backing vocals), Mark Murdock (Masheen Messiah, ex-Empire; drums,
backing vocals) and Marisol Koss (worked with
Perdomo, Kerzner; lead & backing vocals). The group
want to play Banks's material live and to "create new material in
the spirit of the original Empire." They have the blessing of
Sydney Foxx (a.k.a. Sidonie Jordan), who was the other half
of Empire with Banks. Their debut album, Second Lifetime
in tribute to Banks, was released Oct 2020. Details
in Yescography. It mixes new material with pieces by
Empire, Flash, Banks solo and Yes.
|
Other news |
I’m [...] planning to do some concerts by myself. More than ever, I’m back in the saddle to record. I have multiple projects in the pipeline, and they will come out as they come out. I also have some classic music in preparation, and some other new stuff that’s going to knock your socks off.In a Jan 2017 interview, he said, "I'm playing seven hours a day, and I'm also recording every day and every night[.] I've composed many hundreds of pieces of music."
[...]
I have other symphonic works [in development; in addition to A Way to Freedom] as well, including the completion of my “Children’s Concerto” for orchestra. I’ve added some orchestral colors to it…but I like to keep some mystery about what I’m doing!
I have also been expressing myself by writing poems, either in French or in English. And I’ve already recorded some of them. And I’ve almost completed a double CD with my other group in Switzerland [possibly a reference to Random Kingdom]; that’s going to come out..probably not this year [2015] or next year [2016], but after that. I have at least two other albums schedule to come out. But for now, MAP is taking priority
[...]
Because my children are grown up, and because I’m not committed, contracted yet – yet! [laughs] – to tour with a big band with my music, I have more time. And I’ve developed a very interesting studio here in Florida.
Live
Moraz was due to perform at ProgStock 2024,
but withdrew due to ill health. The festival announced:
We are sorry to announce that Patrick Moraz will not be able to travel to the festival this weekend. He has recently taken ill and his doctors will not allow him to travel this week. We expect he will be back on his feet in no time. With that knowledge in mind, we have pre-booked him for ProgStock 2025 and are also discussing a possible ProgStock Presents show featuring Mr. Moraz in the spring of 2025.
An audio message from Moraz was played at ProgStock in which Moraz described having had surgery recently. Moraz performed at ProgStock 2023 on 8 Oct 2023, opening for Unitopia. He was also doing an interview session with a film screening on 6 Oct 2023.
Moraz was interviewed,
but didn't perform, at NAMM 2024 on 26 Jan. The Bob Moog
Foundation exhibit about him was also shown.
Moraz played a benefit
show for
5 local musicians affected by Hurricane Ian in Nov 2022 in
Florida.
Band projects
Moraz and Ronnie
Ciago (Facebook) (ex-CIRCA:, Brand X, worked with Bill
Ward, Mick Taylor, Jaco Pastorius, Robert Downey Jr.; percussion)
have been working on an album together; one piece with Ciago
appeared on Moraz's solo album Change of Space. Ciago said
on Facebook in late Sep 2011: "there is also 2 Moraz & Ciago
cd's due out in the next few months, Patrick Moraz & Ronnie
Ciago "Live On The Radio" and The new studio cd ( Moraz &
Ciago ) with known guest musicians."
Solo albums
It was a balance between the two [beginning with Moraz' compositions or not]. We played together and jammed and so on. The music was composed, first and foremost. Actually I composed more than nine pieces – at least fourteen pieces – and then I let him choose the ones that felt the most comfortable. [...]Moraz also said they are "discussing and planning how we’re going to do" live dates, continuing, "Not only promotional dates, but proper concerts."
Greg and I and John Avila, we can now play that music with our eyes closed! We can play it the way it is [written], but we can also jam. And that’s what we will do for the next album. We are really, really determined to put out a bunch of albums together. We had so much fun making this album
I want to keep it a surprise. But what I can tell you is that it’s not just one CD, one album. It’s a bunch of different works for myself at the piano, with a band, with a trio, orchestra and choirs. That’s why it’s taking so long. In this kind of work, you can never say exactly when it’s going to be ready.In an interview circa May 06 (Notes from the Edge #299), Moraz said:
A WAY TO FREEDOM seems to be taking a long time to come out. It's not the lack of material, but more about the inherent inertia which has surrounded the project from the beginning. I have lots and lots of recorded material already, but I never seem to be able to put the finishing touch to the production as a whole.
In an Aug
2013 interview, asked about the project, Moraz replied:
It’s still on the front burner, it’s just that I’ve got different projects and different productions that take precedence. [...] I’ve got several pieces that I’ve had rendered for a symphony orchestra and percussionists and a jazz brass band. All of the music is written and arranged; it’s on paper. It’s just that it takes time. I could have finished it and released it, but in some way I have been enjoying my right to be a little bit of a perfectionist. (Laughs.)
Asked about the project in the late 2014 interview, Moraz said,
"I am in the finishing stages of A Way To Freedom, because
I've got some other productions that take precedence. [...] that's
going to be my solo album. I've been working on that for several
years on and off."
A Jun
2014 interview described it as "due in the very near
future". It also describes as upcoming Cantata, a piece
for a soprano-alto-tenor-bass choir in 7 movements, "paying homage
to 'Our Planet.'" The latter was previously described on Moraz'
website as EcoCantata. His site website also said Moraz is
"progressing in the compositional development, production and
"finition" of a "Futuristic Ballet" and other works featuring
electronic arrangements as well as innovative, rhythmic
instrumentation and acoustic orchestrations."
Patrick
Moraz and Human Interface toured in 1983, with a set including
all of Story of i. The band consisted of
Moraz, Tim Franklin (bass, vocals), Paul Parker (drums), Jim
Gentry (guitar, vocals) and Michael Franklin (keys, vocals).
(Michael and Tim Franklin are currently working with Jon
Anderson.) On 11 Dec 2022, M Franklin said
on Facebook, "We have a video tape of the whole show. I
hope re-master and re-render this year [2022]. [...] Recorded
at The Beacham Theater in Orlando in 1983."
Other news
Save Us is a forthcoming 5-track EP due 1 Feb 2025, on CD
and limited edition (300 copies) vinyl, from Mark "Truey" Trueack (Unitopia,
United
Progressive Fraternity) and
Friends. Trueack was at ProgStock in Oct 2023 when his
café restaurant in Thailand was hit by major flooding. In
response, he wrote the title track, developed with Patrick Moraz
and Christophe Lebled (worked with Jon Anderson).
Tracks (all lyrics by Trueack):
All lyrics by Trueack, except "What We've Done". "Save Us" is
performed by Lebled (keys, melodic and percussive sequences,
orchestral arrangement), Moraz (piano), Don Schiff (fretless
NS/Stick), Chester Thompson (drum kit), Mark Trueack (lead vocals,
harmonies), Steve Unruh (guitar, violin), Joanna St Clare (backing
vocals) and the Maew Pao Café Choir (including Supattra Anontri,
Nippon Sanboon, WuKam, Suphalak Jaib, Aoi Chanchayapop, Kris
Sookhnoom, Bualai Sriburin). Also appearing on the EP are Dave Kerzner
(Arc of Life,
worked with Jon Anderson, Lee
Pomeroy, Steven
Wilson; keys), Fernando
Perdomo (The
Fusion Syndicate, In Continuum,
The
New Empire, worked with Rick Wakeman;
guitar, bass, harp), Stephen Layton (worked with
Jon Anderson; guitar, keys), Jamison Smeltz and
others. The EP was produced by Trueack, engineered, mixed and
mastered by Steve Unruh, and with artwork and graphic layout by Ed
Unitsky. There is also a GoFundMe
for the café's recovery.
Moraz guested
on the 10-track album Not in Kansas Anymore, the
posthumous and only solo album by Robby Steinhardt
(ex-Kansas, worked with Jon Anderson), released Oct 2021.
Steinhardt was working on the album in his final months before his
death in May 2021. The album was produced by Michael Franklin (works
with Jon Anderson), with many of the players from Jon Anderson's
1000 Hands: Chapter One and the associated touring
band. The music was mostly written by Michael and Tim Franklin,
with Steinhardt given co-writing credit for his input too.
Moraz covered Jean-Michel Jarre's "Oxygene (Part 4)" on Synthesizer Classics (Cleopatra Records), out Aug 2022: see on main page for details. Moraz appeared on 1 track each of the three latest Prog Collective albums from Billy Sherwood, Dark Encounters (released Mar 2024), Seeking Peace (2022), and Songs We were Taught (2022): see main page for details. Moraz appears on "Pigs (Three Different Ones)" on the Cleopatra Records release, Animals Reimagined – A Tribute to Pink Floyd: see on main page for details.
In the late 2014 interview, Moraz described another project:seven years ago, I had a project [...] “Seven Days a Week: Music on the Road From A to Z,” [...] I was seeing real people in real time, and the idea was to record in one week, in seven days — actually seven different CDs, one CD every day with a different theme every day. I kind of started to prepare production, because it’s a rough animal to do that, but as of yet I haven’t had the chance to complete such the project. But it’s still in the future works, as a future operation.
In the Oct 2010 Classic Rock
Presents... Prog, Moraz says:
I am so busy right on many
projects. They vary from rock to classical. Right now, I'm
working with some extraordinary musicians in Tampa, Florida.
Moreover, there are various reissues being planned. And I'm
currently writing my autobiography, when I will reveal the truth
of what happened with Yes.
Moraz played on sessions for bassist Dave LaRue (The Dixie Dregs, John Petrucci) for a second solo album that has yet to appear.
Longer term plans
Moraz has talked of multiple further
projects, but many of these appear to be some way from producing
any output. He has plans for a third "Future Memories" show,
which he discusses in a new interview on a forthcoming DVD
release of the first two "Future Memories" TV programmes (see below). Moraz has also been
working on an album with Michel Sanchez (Deep Forest)
for some time. A report circa Feb 2005 said that Moraz has
two electronic albums close to completion, one of which seemed to
be the one with Sanchez. It is unclear whether the other was A
Way to Freedom, with Armen or some other project.
Moraz has expanded "Modular Symphony (1st Movement)" from his 1987 Human Interface album into an entire piano concerto, which he intends to release at some point according to a Mar 2005 interview.
Although he has no immediate plans, in his Mar 2005 interview, Moraz talked of his willingness to do a video or film project based on his solo album The Story of i. In his NftE interview (Jan 2001), he said, "I've also been writing and researching some stories. I'd like to do a movie of THE STORY OF I either in 3-D computer graphics, an animated version, or the real thing. I have also written a couple of other movie scripts; one is a science fiction story and the other is about the life and times of a composer who lived three hundred years ago." In an earlier interview (Oct 2000), he said: "I have just about 30 other projects that I have already composed, I've composed hundreds of pieces of music in the last 9 years. [...] I have also, maybe, studying to get a commission for a symphony orchestra perhaps in europe for next year [2001]." At some point, he has been planning to do a charity Christmas album.
| Rio Rabin's new solo album, Rio, was released 6 Oct 2023 on InsideOut (announcement video). In an interview in the Apr 2020 issue of Prog, Rabin said he was working on a new solo album with vocals (in contrast to the largely instrumental Jacaranda). On 26 Dec 2022, in a comment replying to a post on the Trevor Rabin Fans Facebook group, Rabin said, "It is done [...] record company is done". He also announced the title, which is his granddaughter's name (Ryan's daughter). Rabin plays most of the instruments on the album, including drums in places, while drums are otherwise by Lou Molino III (ex-Yes ft ARW), with Vinnie Colaiuta (worked with Billy Sherwood, Frank Zappa, Joni Mitchell, Sting) on "Push". (There were reports that son Ryan was also on drums, but he is not on the album.) Rabin also painted the cover (originally called Absinthe). Rabin produced, engineered and mixed, while Paul Linford mastered the album. Tracks:
|
sorry i've been missing in action,,,.but I have been 24/7 on the new solo album, and it's turning into something pretty cool.In Sep 2014, Rabin said the album will have "some surprise guests" and described 3 drummers will be involved, Lou Molino (who had already recorded parts, and previously played on Jacaranda and with Anderson Rabin Wakeman), son Ryan Rabin and an as yet unnamed drummer. Recording sessions continued in Sep 2014. In Aug 2015, he posted to Facebook:
I was hoping i'd be closing in by now.
Ufortunately it'll take a but longer. It's just taking time to let it all happen the right way. But i'm quite excited with where it's going.
I'm about half way through and very happy. Bare with me.
Sorry there's been little on the new album.A Jun 2015 interview described him as "now writing an album of all-original rock material and considering a tour." However, in Feb 2016, he said (again on Facebook) that he was "just working crazy at the moment" and "putting my solo album on hold". This appeared to be connected to the ramping up of activity by Anderson, Rabin & Wakeman. Back in Feb 2014, Rabin said on Facebook:
I'm had to take some breaks to fulfill some film obligations.
But it's going great, I wish it was happening a little faster.
I would say I'm half way there and will be back at it next week.
speak soon. all the best
I've completed 2 tracks for my next solo album.Journalist Jon Kirkman said on Facebook (Jan 2014) that Rabin was keen to get the rock album out within 2 years and he already has some material for it. On Facebook in Feb 2014, Rabin talked of having completed two songs in the style of Can't Look Away and 90125.
I wasn't sure what shape my voice would be in, as singing is something I do little of with scoring (or on Jacaranda), ... but voice exercises and singing a lot,....i'm in good shape.
Happy so far, ...long way to go!
Bonamassa will perform at least 14 new and extended versions of his songs with this nationally renowned orchestra. Unlike most concerts featuring a rock band and orchestra, this concert will be driven by the orchestral arrangements written by some of the world's leading classical composers as well as Hollywood’s leading movie orchestrators.Following pandemic disruption, Bonamassa played a one-off live show on 9 Aug 2023 at the Hollywood Bowl, with the 40-piece LA Philharmonic Orchestra, which was filmed for a live release. String arrangements were by Rabin, David Campbell (worked with Rush, Ariana Grande, Muse, Aerosmith, and his son Beck), Calvin Turner (Bonamassa's bass player) and Jeff Bova (worked with Katy Perry, Celine Dion, Cher). Campbell conducted. Set: with band: "Evil Mama", "Dust Bowl", "Love ain't a Love Song", "I Want to Shout About It", "Heart That Never Waits"; with orchestra: "When One Door Opens Overture", "Curtain Call", "Self Inflicted Wounds", "No Good Place for the Lonely", "Ball Peen Hammer", "Last Matador of Bayonne", "Prisoner", "If Heartaches were Nickels", "The Ballad of John Henry"; encore: "24 Hour Blues", "Sloe Gin". Live at the Hollywood Bowl with Orchestra was released on various formats on 21 Jun 2024, including CD/Blu-ray, CD/DVD, 2 LP (180g 'Blue Eclipse') and digitally. The release just covers the set with orchestra and not the prior songs just with his band. Rabin appears to have arranged "Prisoner" and "The Ballad of John Henry".
Each composer will orchestrate one or two songs of their choice. The direction of the songs will be set by the orchestrator and producer with Bonamassa performing both electric and acoustic guitar, and singing within those confines. You will be able to hear the desperate addiction in "Sloe Gin", the ferocious animated realism of a desperate train journey in "Slow Train", the Rodrigo-like Spanish influences in "The Last Matador" and majestic landscapes to create a spectacular music event for lovers of all kinds of music.
Once [...] we [ARW] do Europe […] once that tour is finished, I'm actually going to start bookings [for film scoring]. So I've promised [new manager] Rich [Jacobellis] that when I come back, in between now and doing the next tour [26 Aug-9 Sep 2018] […] I'll agree to start taking meetings, speaking to people and I'll phone my friends [like directors Renny Harlin and Jerry Bruckheimer]An Apr 2017 interview (conducted Mar) had laid out the following plan:
I’ve got two solo records which I’m scheduled to do and two scores which I’m not at liberty to mention [...] I pretty much signed on to them now, and so I’m pretty busy right up until the end of 2018 at this point.In a Jun 2017 interview, Jason Becker, who is having Rabin guest on a piece of his, said, "[Rabin] is working on a symphony now": I am unclear what that is, and whether it is related to solo work, film scoring or something else.
I did an instrumental album in 2012 [Jacaranda]. I wanna follow that up with another [instrumental] album, and I also do wanna do a kind of vocal rock album to follow up on [...] Can’t Look Away [...] obviously, a priority goal for us is ARW
I've had something on the burner for a long time, but I've never really got centered on it [...] I have an electric-guitar concerto. I'm calling it that, which might sound a bit posh, but it's just a classical electric guitar. What I have sketched out is for full orchestra and electric guitar. I've also included four bagpipes, which just sounded so great. It's a great combination, these very legato, almost sitar-ish guitars and the drone of the bagpipes, which is an extraordinary sound. I really want to come to terms with this guitar concertoAnd:
I'm also very determined to do a rock album, whatever that means, with singing on it.In a Jun 2012 interview, he said, "I will sing on a record in the future. I've started working on a followup to Jacaranda. I'm going to do a vocal." He also says, "I met with Robert Plant and we wanted to do something together, so I'd love to revisit that." And in another Jun 2012 interview, Rabin says, "I will sing soon! Yes, I will definitely be singing on my future albums and projects." And adds, "This album [Jacaranda] and the music I express on it is definitely a turning point for me. I will be far more creatively free from this moment on since creating Jacaranda." In my Jul 2012 interview with Rabin, he said: "I am so motivated by Jacaranda it certainly won't be 20 years between albums again." In an Aug 2013 interview, he said: "I am starting a new solo album as a follow up to Jacaranda".
Rick Wakeman
and Rabin have both mooted the possibility an album together at
some point: see here for
details. Both Rabin and Wakeman are expected to guest on Jon
Anderson's 1000 Hands: Chapter Two: see under
Anderson.
Rabin and Roger Hodgson worked together around the time Hodgson
turned down the idea of joining Yes, the collaboration yielding
"Walls" on Talk. Some of that material was recorded with
Squire, White and Kaye. Asked in the Sep 2020 SOAL
interview whether any of it might see release, Rabin replied
that he and Hodgson "always keep in touch". He continued, "we
really spent quite some time enjoying writing together and
recording stuff. A lot of it just never got finished. [...] That's
something that, y'know, maybe, at some point, Roger and I
should... y'know, time's getting on, so we should do it sooner
than later. [...] There's quite a lot of stuff that wasn't
finished and, we've always talked about, we should get this done,
finished, and forget about where, how it's gonna be done, let's
just do it and get it done." Talking on The Record Player podcast
(Sep 2023), it appeared nothing had happened since 2020. Rabin
said, "Nothing's finished and mixed," but that he would talk to
Hodgson about the material when he saw him in Oct 2023. In a Mar
2025 interview, Rabin said of Hodgson: "We've been talking
and talking [...] Him and I are very, very close friends." Rabin
continued, explaining that they, had back then, worked together
"for about a year, just writing and doing stuff [...] I think we
were enjoying it too much and never really got to the business
of doing it, although we did have meetings with A&M Records
to do an album, and it's one of my disappointments that we
didn't do [it]." There was no indication that anything would
happen.
Gary May (Trevor's brother-in-law) said on Facebook in early 2015 how he had had "Trevor produce, orchestrate and play on one of my songs", with a photo taken in Rabin's Jacaranda studio in Oct 2014.
Rabbitt reunited as Rabbitt Reloaded for a South African tour
with original members Duncan Faure, Ronnie Robot and Neil Cloud,
but without Rabin, although Rabin is supportive of the project.
The new band was joined by Marius Marais. However, the tour was
postponed before starting following Robot suffering a hand injury.
In Aug 2021, Rabin sold his music publishing catalogue of 3528
pieces—including music with Yes, from his solo career and film
scores—to private equity firm Round Hill Music Royalty Fund
Limited. Round Hill got the writer's and publisher's share of the
catalogue and administrative control. Josh Gruss, chairman and CEO
of Round Hill, said, "We believe this is a particularly attractive
area in which to be increasing our exposure, as film and TV
performance revenues continue to increase in value."
I was supposed to have delivered the album for mixing by now but I decided at the last minute that 2 songs needed a rewrite (one quite substantially!)He tweeted on 16 Jul 2023: "Just received the first mix of the Anam Cara record. A few tweaks required but I can't express how pleased I am with this record. Still aiming for autumn release. Also spent the weekend with the wonderful @AnneSudworth discussing the artwork for the cover and booklet. He said 19 Jul on social media, "Hoping the final mixes will be complete by the weekend." In a Dec 2023 interview, Wakeman talks about almost finishing the album when he decided the chorus on one song wasn't good enough, thus delaying the album for further work on it. In that interview, he also described the album as "rock/celtic" and talked about Robert McClung (Telergy) guesting on violin. Other performers are guesting on sax and clarinet. He also explained the origins of the project:
Just finished the second one now so I think I’m finally there. Need to get everything to Karl [Groom] for mixing now!
It it came originally from a project I was doing 20 years ago with a young singer called Rachel, who was a a Welsh singer. And she just sang beautiful, lilting folk songs and she was a harpist. So the project originally started off at that. And I think it was her husband turned around and said to me, oh, if you do a project together, you should call it Anam Cara. And I said, well, what's that? And he said, well, it's Celtic for "soul friend" [...] you musicians, you're all like soul friends together because you don't know anything about each other when you first meet and you just create music together. [...] The project never really got going [...] We did a couple of demos, I think, and then it sort of fell apart. [...] [Later,] my management was saying to me, what, what do you want to do next?And I kept thinking to myself, I want to do that Celtic rock record again because I love [...] that Riverdance stuff. I love Clannad, all that. [...] And also I wanted to work with a female vocalist because I've worked a lot with male vocalists.He had described the project in his Nov 2022 newsletter thus:
I currently have about 3 records in the works but I decided to focus on the one which I have wanted to do for quite a while, Anam Cara. This was an idea for a project I wanted to do many years ago when I started working with the singer Rachel.I believe the other "records in the works" are Works for Art and Cultural Vandals: more on those below. Wakeman tweeted 7 Nov 2021, presumably about Anam Cara, "Starting the journey of working on a new album." This may also be the project alluded to on 21 Feb 2020, when he tweeted:
However, as that band dissipated and morphed in into the Oliver Wakeman Band and the Mother’s Ruin album, the ideas I had for this album were put on the back burner. So when I was in discussion with the management company about what was coming next, I mentioned this album idea and got the green light
[...] nearly all the music is written and I have David Mark Pearce doing the electric guitars, Steve Amadeo on bass and Scott Higham on drums. [...] There will be more announcements over the coming weeks about the vocalist and other musicians confirmed on the album.
[...] Anne Sudworth will again be providing one of her wonderful pieces of artwork for the sleeve. [...] Karl Groom [...] will be handling the mixing and mastering.
We are currently aiming for an early 2023 release date.
Busy trying to finish the writing sessions for my new album which will hopefully be out later this year [2020]. Had a breakthrough today writing the middle section for a piece I’ve been working on for some timeOliver's Oct 2018 Newslist also described three major projects. First, he wrote how, "I have been working on a new project which is very exciting and I have a meeting during this month to finalise the details and so look out for news in the next newsletter." It's unclear which project that was. Secondly in the Oct 2018 newsletter, he wrote, "I have also been working on a collection of instrumental piano pieces based on music I have written for my family or commissions for other peoples loved ones. I was encouraged to put it together following the nice comments from people who heard some of the pieces at the solo piano shows and by the people who have commissioned pieces from me. I am still working on it but it is coming together nicely and I am hopeful for a release in the New Year [2019]." This would appear to be the same album he described in an Aug 2018 tweet, saying he was, "currently looking into the release of a new instrumental album for later in the year [2018]". It would also appear to be the same project described in a 31 Oct 2018 tweet: "Starting to put some plan[n]ing for a new solo instrumental album due next year [2019]... more info soon." His Sep 2019 newsletter said:
Nearly ready to start working on the arrangements. Then comes the recording!
I have continued to work on the collection of instrumental piano pieces based on music I have written for my family or commissions for other people's loved ones.Pieces on the album include "Lottie's Song" (for his daugher) and a new version of "November Wedding" (previously released on Trinity). In a Facebook broadcast in Apr 2020, Wakeman said he is currently working on the album, which will be called Works for Art. He was working towards a release for the end of 2020, with a cover by Rodney Matthews, but the album has yet to appear. In an Apr 2024 interview, he said:
I have decided to include other musicians on the album (as it was originally going to be just myself on piano) as I feel that, with the way some of the pieces are developing, it feels more like the follow up to 3 Ages of Magick album I recorded in 2003. I think I have all the music now composed but the crafting and arrangement work has started in earnest. I am hoping that this will be out for Spring 2020.
I'm doing that […] with some instrumental pieces. […] I've done some commissioned music in my time, where people write to me and ask me to write a piece of music for their their wife or a special occasion. So I've written music for people's occasions. And I suddenly thought I've done that maybe six or seven times and I thought, you know what, it'd be quite nice to actually put these pieces of music out, and so I started writing some other pieces of music for myself, and they've sort of sort of come together in a little bucket of work, and it's like, OK, that's quite good fun. So I'm doing a few sort of piano shows at the moment, so what I'm tending to do is, I take a lot of these piano pieces with me, and I go and perform them live, and they adapt […] They find their arrangement, when you play them and you perform them, you get a feel as to how a piece of music is going, so that's another little bucket that's sort of going on. And there were some pieces from Anam Cara that I didn't use that I may use next time. But I've also got another bucket full of rock songs, because I want to do another rock album at some point. There's always a good couple of buckets on the go of music.To Prog magazine (Mar 2024 issue), Wakeman said he plans to release a follow-up to Mother's Ruin: "I've written the follow-up[.] I realised that 2025 will be the 20th anniversary of that record, so we've been talking about recording the follow-up and going out and playing both. I believe this a reference to Cultural Vandals, the third project mentioned in the Oct 2018 newsletter, where Wakeman said: "With all the work that has been going in my life for the last few years (Yes, Gordon Giltrap, Piano solo shows & Sessions) my own rock band has taken a back seat which meant that my 'Cultural Vandals' project never got finished. I am intending to try and get this finished and released next year [2019] as well. I have all the music written and most of the instruments and vocals have been recorded, it just needs some final recording done and then a jolly good mix and an interested record label!" In his Sep 2019 newsletter, however, he said "[t]his hasn't progressed any further". The band has been himself (keys, piano), Paul Manzi (Arena; vocals), David Mark Pearce (works with Lisa LaRue; guitars), Paul Brown (ex-Medicine Man; bass), Dave Wagstaffe (Landmarq, ex-Peter Banks, ex-John Wetton; drums). He continued to write material during his tenure in Yes and had, at one point, decided on 9 songs for the album. He was re-working this material from Jan 2011. Manzi and Pearce were also working on creating a rough mix of the album. Wakeman said on Facebook in May 2011: "The album itself will be a mixture of different styles and lengths of songs but I don't really like to give away song titles or descriptions before an album is released because that way no-one will have any pre-conceived ideas on how it will sound!" In a Sep 2011 blog, he said:
Cultural Vandals is coming
along really well. We are currently discussing the options for
releasing it which will hopefully be towards the end of the year
[2011] or early 2012. I have been working on another project for
the last few months and I hadn't listened to it for a while. I
mentioned in my last blog that I always like to let albums sit
for a while and then revisit them to make sure that I am happy
with them. I sat and listened to it in full yesterday to see
what other work was required and it felt really good to me. I
can't wait to start recording [...] a finished version
Manzi was recording vocals with Wakeman in May 2012, presumably
for this project.
In a review of 2016 on his website, Oliver said, "There is my large scale musical project which I have been working on all year [2016] with a well known music producer and my business partner. We are confident that it will see the light of day this year [2017]." In a May 2018 tweet, he talked of "working on my next album rough mixes".
In a May
2009 interview, Oliver says:
I have a lot of solo material
that I'd like to record too – four very different albums' worth.
One will be a rock album, another Celtic rock, the third is a
rock opera, and the fourth is made up of piano pieces. I really
hope to start recording them before the end of the year [2009].
I like to use a studio in Virginia Water, Surrey, where I have a
great relationship with the engineer Karl Groom. I produce my
own recordings myself.
In the Jun 2008 interview, Oliver also said that he was "a fair
way through a solo project on the piano". Oliver had also started
work on a singer-songwriter-style album featuring various
musicians he has worked with over the years.
On 13 Mar, Oliver tweeted about being, "Back in the studio
working on the new @dexibellMI project..." Dexibell are an Italian
musical instrument company. Further details as to what this
project entails have not been forthcoming so far.
Oliver is available for writing commissions.
Live
Oliver Wakeman's Anam Cara were to play the Summer's End Festival
on 7 Oct 2023. However, due to a bereavement affecting a band
member, they had to postpone to the Winter's End Festival
in Chepstow, UK, and performed on 14 Apr 2024. The set was
"Moneyfacturing", "Dangerous World", "Run for Your Life", "The
View from Here", "1000 Autumns", "I Don't Believe in Angels",
"Miss You Now", Wakeman solo, "The Forgotten King", "LJW",
"Glimmer of Light", "Instead of My Fear", "Mother's Ruin", "Words
on a Page", "From the Turn of a Card" (Ravens & Lullabies
arrangement), "The Gift of Love", "To the Moment", encore: "Coming
to Town". The band was with Hayley Griffiths (vocals), Scott
Higham (Pendragon; drums), Oliver Day
(guitars, additional keys) and Dan Nelson (Magenta,
Cyan; bass). Wakeman said in the Dec 2023 interview, "if
that goes well and it and we feel like it's gelled properly, then
I'd like to do a little tour with it." To Prog magazine
(Mar 2024 issue), he added, "But if we do the whole record, I'm
really going to need some whistles and violins and all that
stuff." In the Mar 2024
interview, he also said he "would love" to tour and will go
"wherever people want to hear it". In a Nov
2024 interview with Yes Music Podcast, Wakeman said he
is "hopefully doing some shows next year [2025]" and described
possible acoustic trio shows with Griffiths and Day, as well
as wanting to play From a Page live again.
Rick Wakeman,
Oliver Wakeman, Gordon Giltrap (worked with Rick
Wakeman, Oliver Wakeman) and Carrie Martin
(worked with Oliver Wakeman) played a charity concert on
6 May 2023 in Tewkesbury, UK, entitled The
'Other' Coronation Concert. Oliver's son, Arthur, also
joined Oliver for one song. The event raised money for Milestone
and Cleeve Schools and nearly sold out. A second
show was planned for 22 Jun 2024, again with the two
Wakemans, Giltrap and Martin.
Oliver was also due to play with dad Rick at a proposed Apr 2024
performance of Rick's The New Gospels in an updated form,
under the new name of Christus. This didn't happen in Apr
and I am unclear if it is still going ahead: see under
Rick Wakeman for details.
Work with Rodney Matthews
In the Mar
2024 interview, Wakeman described working on 4 projects with
illustrator and drummer Rodney Matthews.
Wakeman said, "The thing that I'm working on at the moment is for
a project called Squidd, which was his band from the seventies",
later describing this as "the next thing that will come out from
Rodney". Matthews drummed in Squidd, but the band didn't release
any material at the time. Wakeman explained how Matthews said to
him, "I've got these recordings the band did, back in the
seventies, for a radio show." Matthews continued, "I'd really like
to do these and write some new stuff into these songs and [...]
get them re-done." So, Wakeman has "been working through all these
old tapes" and "re-recording a load of these parts [...] and
writing new sections". Wakeman continued, "We're writing new music
for it, but of course I want to write in the style of how the
original band was." This means that Wakeman is just using Hammond,
Moog and piano.
Matthews had tweeted
about the project in Nov 2023, saying, "A new illustration for a
music project that I have just commenced with @OliverWakeman,
based upon ideas both musical and image-wise that I worked on in
the early 1970s but never recorded as an album!" He had earlier
mentioned this same illustration in his newsletter, where he said:
Work has now commenced on a new music project with Oliver Wakeman. This will most likely take the form of an album on vinyl and CD, with tracks influenced by my images. The twist with this one is that it will be retro, incorporating images and musical ideas that I first experimented with during the early 1970s – that definitely makes it “proggy”! Right now I am working on a new illustration for the booklet, titled ‘Armageddon sings as the Toad Conducts the Band’.
Wakeman and guitarist Jeff Scheetz are also working with Matthews
on a follow-up to 2019's Trinity.
Wakeman said in the Mar 2024 interview that both he and Scheetz
"have started writing for that".
In the Nov
2024 interview with Yes Music Podcast, Wakeman said Karl
Groom is working with him on something for Matthews.
Rodney and his wife Sarah re-did the 1978 children's book "Yendor",
originally by Graham Smith and Rodney. (Yendor is Rodney
backwards.) The book is out.
There is a CD
release with narration by Sarah, some additional
voice from Rodney, and a score by Wakeman.
|
The audio version, with Wakeman's music, was turned into an animation. The 17 minute "Yendor - The Journey of a Junior Adventurer" was shown at multiple film festivals, winning several awards. The Matthews are working towards a second Yendor short animation, with a story scripted specifically for the film. In the Mar 2024 interview, Wakeman confirmed that R Matthews "[i]s doing another Yendor film" and that he will again do the soundtrack. In an Apr 2024 interview, Wakeman said: "I'm doing some music with artist Rodney Matthews about a book at the moment. We're working on some music to a book". This may be in reference to this or one of these other projects. The fourth project with
Matthews that Wakeman mentioned in the Mar 2024 interview
is "another CD one track thing for something". Previously,
Wakeman played on a single from Rodney Matthews &
Friends, "Lost
in the Wild Wood" (trailer),
now out. Performing were Tony Clarkin (Magnum;
guitar), Pete Coleman (English bagpipes, psaltery,
recorder, etc.), Bob Catley (Magnum;
vocals), Charlotte Dickerson (vocals), Wakeman
(keys), Roberto Vitelli (bass), Clare Hines (electro hurdy
gurdy) and R Matthews (drums). The lyrics are by R
Matthews, based on a quotation from Kenneth Grahame's "The
Wind in the Willows", with the music by Coleman, Clarkin
and Matthews. The single was produced by R Matthews and
executive produced by R & S Matthews, with art by R
Matthews and graphic design by R & S Matthews. Other
work
On 20 Jan, he had tweeted that he was "just finishing the writing for [...] a film soundtrack". On 3 Feb, he said on social media, "A weekend of working through all the final music edits for the new feature film I'm working on as it gets delivered to Karl [Groom] [...] on Monday for the mix to start." On social media on 14 Feb 2024, he described how he "was listening to the [...] master for the film soundtrack I've been working on for the last few months". Wakeman attended the film's premiere on 14 Mar 2024 in London. |
In the Mar 2024 interview, Wakeman said, "There's a chance that
there might be another one" (that is, another film score).
Wakeman guests on The Madrigal Project's 11th Hour: see main
page for details.
Wakeman guests again on a project by Carrie Martin. He plays on 2
tracks of her album Evergeen
(earlier known as Beside the Evergreen; promo),
out on Psychotron Records, contributing piano and strings to "End
of Story" (based on Louise Swanson's novel of the same name) and
also appearing on the 8-minute track "Keep in the Light". Martin wrote
on Facebook in Nov 2022 about receiving Wakeman's parts for
"End of Story". Tracks:
Jeremy Richardson (John Hackett band; bass)
and Wayne Proctor (drums) also appear. Ben Martin
(Carrie's son) produced. Cover art is by Clare
Roper-Paris.
In his Nov
2024 interview with Yes Music Podcast, Wakeman also
revealed that he has worked on "a couple of sessions" with
Hayley Griffiths that haven't been released yet.
Early May 2023, Oliver and dad Rick
were both interviewed for a documentary film about The Strawbs.
Any news, additions or corrections, please e-mail Henry Potts. Thanks.